Concert Program
OneMusic International Ensemble
”My Dream” - Franz Schubert
A Night of Music & Literature
March 18-19, 2022 at 7:30 pm
Yibin Li - violin
Philippe Muller - cello
Chung-Hsi Hsieh - piano
Rufus Collins - reading
Piano Trio in E Flat Major, D 929 - Op.100
Franz Schubert (1797-1828)
I. Allegro
II. Andante con moto
III. Scherzando - Allegro moderato
IV. Allegro moderato
Readings
Franz Schubert
“My Dream”
Willhelm Müller
"Gute Nacht" (from Winterreise)
The Artists
Yibin Li
Yibin Li was born in Jiuquan, China, a small city near the Gobi Desert. When she was just 4 1/2, she began playing the violin under the guidance of her father. Just 7 years later, she left home to study at Xi’an Conservatory, where she remained until moving on to Shanghai Conservatory. Upon her graduation, she was appointed to the violin faculty, and taught in Shanghai for six years as a young member of the tenured faculty. At 26, she felt the need to continue her studies in the US and moved to New York, where she went on to earn two additional graduate degrees at The Juilliard School and Mannes School of Music. Her teachers have included Lewis Kaplan, Seymour Lipkin, Earl Carlyss, Peiwen Yuan and Xiaolong Liu.
Ms. Li has performed as a soloist with major symphonies in China and the US, including the Beijing National Symphony Orchestra, Shanghai Symphony Orchestra, Taipei Symphony Orchestra, Gaoxiong Symphony Orchestra, San Diego Symphony, Hunter Symphony and Syracuse Symphony Orchestra. She was the first violinist and founder of the Iris String Quartet, and the founder of French-American Ensemble, and has directed and played chamber music concerts in many New York City venues including Carnegie Hall, Alice Tully Hall, Merkin Hall and Scandinavia House. In China, she traveled to over 20 cities performing both solo and chamber concerts in major performing arts centers.
Ms. Li performs and teaches regularly at summer music festivals including the Bowdoin International Music Festival and Bach Virtuoso Festival in Maine., the LaSalle Music Festival in France, Sesto Rocchi Chamber Music Festiva in Italy and the Lake Lugano Chamber Music Festival in Switzerland.
Yibin Li is currently on the faculties of Mannes School of Music and The Juilliard School Pre-College Division, and is a visiting professor in China at the Xi’an Conservatory of Music and Beijing Central University for Normal Studies.
Ms. Li has performed as a soloist with major orchestras in China and the USA including the Beijing National Symphony Orchestra, the Shanghai Symphony Orchestra, Taipei Symphony, the Gaoxiong Symphony Orchestra, and the San Diego and Syracuse Symphonies. Her New York recital debut at Weill Recital Hall took place in 2001, and she performed solo recitals, in various chamber music ensembles, and as first violinist of the Iris Quartet at venues throughout the world including at Alice Tully, Carnegie and Merkin Halls and in more than 20 cities in China, France, Italy and the USA.
Ms. Li performs and teaches regularly at summer music festivals including the Bowdoin International Music Festival and Bach Virtuoso Festival in Maine., the LaSalle Music Festival in France, Sesto Rocchi Chamber Music Festiva in Italy and the Lake Lugano Chamber Music Festival in Switzerland.
Yibin Li is currently on the faculties of the Mannes School of Music, Juilliard’s Pre-college Division and as visiting professor in China at the Xian Conservatory and Beijing Central University for Normal Studies.
Philippe Muller
Born in Alsace, Philippe Muller was raised in both the French and German musical traditions that characterize that province. His early experiences opened his mind to varying cultures and lead him to a multi-faceted career. He performs and has recorded a wide range of repertoire, from the Bach Suites, through the music of living composers.
In 1970, Mr. Muller founded a Piano Trio with pianist Jacques Rouvier and Jean- Jacques Kantorow, violin, which was widely known to be one of Europe’s most venerated chamber music ensembles. He worked closely with Pierre Boulez’ Ensemble Intercontemporain, for seven years, giving him an understanding of and an affinity for the music of our time. He continues to be active in commissioning new cello works and premiers of new music and performs frequently as soloist and in various chamber music ensembles at festivals in Europe, the United States, Canada, Latin America, Japan, Korea, Australia and New Zealand.
Philippe Muller’s teaching career is legendary. He succeeded his mentor André Navarra as cello teacher at the Conservatoire de Paris in 1979, continues his teaching legacy today here in New York, at the Manhattan School of Music. Many cellists from his studio have gone on to major careers as soloists including Xavier Phillips and Gautier Capuçon. He travels often giving master-classes in the top conservatories across the globe and has spent twenty years teaching at the Academy of French Music in Kyoto, Japan.
Philippe Muller frequently serves on the juries of the major international cello competitions such as the Tchaikovsky in Moscow, Paulo in Helsinki and Rostropovitch in Paris.
Chung-Hsi Hsieh
Pianist Chung-Hsi Hsieh is from Taiwan. He won top prizes in the Nena Wideman International Piano Competition, Taipei International Chopin Competition, Taiwan Concerto Competition, Corpus Christi Young Artists Competition, and Fischoff National Chamber Music Competition. He has appeared in renowned recital halls such as Carnegie Weill Recital Hall, Merkin Hall, Klavierhaus, and Steinway Hall, in New York City, as well as the National Recital Hall in Taiwan. As a chamber musician he often collaborates with the principles of Boston Symphony Orchestra, Berlin Deutsches Symphonie Orchester, San Diego Symphony Orchestra, and A Far Cry Chamber Orchestra. Mr. Hsieh has performed recitals in Boston, Los Angeles, Beijing, Shanghai and Shenyang. He was a young artist at the Irving Gilmore International Keyboard Festival in Kalamazoo, MI, as well as Kneisel Hall Chamber Music Festival.
After winning the top prize from Taiwan National Music Competition in 1991, he was awarded the opportunity to continue his musical studies in USA where he obtained his high school diploma from Interlochen Arts Academy, BM and MM from The Juilliard School, and DMA from Rutgers, The State University of New Jersey. His principle teachers were Victoria Mushkatkol, Seymour Lipkin, and Susan Starr. During this time he also worked with Lynn Harrell, Lewis Kaplan, Arnold Steinhardt, Jane Coop, and Douglas Lundeen.
Mr. Hsieh started his musical training on the piano at age 4. He also learned violin, and Erhu, a traditional Chinese instrument when he entered the music training class at age 9. At a young age he already showed his musical talent, as he frequently won competitions on piano and violin, and he started performing as soloist and conductor, leading the school symphony orchestra, Chinese instrument orchestra and school choir to public performances.
Currently he is a piano and music faculty at the Diller-Quaile School of Music. Besides honing his craft and working with aspiring talents, Chung-Hsi also enjoys exploring culinary arts and fine wine around the world.
Rufus Collins
Rufus Collins appeared on Broadway in The Royal Family, To Be or Not To Be, A Day in the Death of Joe Egg, An Ideal Husband and The Homecoming. His work for the Irish Repertory Theatre includes Meet Me in St. Louis (produced remotely during 2020), The Dead 1904, The Quare Land and Aristocrats. Off-Broadway appearances include Road to Damascus, The Seagull, Orson’s Shadow and House and Garden. He has performed throughout the country in plays as diverse as Lifespan of a Fact (Hartford TheaterWorks), Sherlock’s Last Case (Huntington, Boston), Othello (Shakespeare Theater of Washington DC) Venus in Fur (Goodman Theater, Chicago), Seminar (Philadelphia Theatre Co.) Michael Von Seibenburg Melts Through the Floorboards (Humana Festival, Louisville), The Old Masters (Long Wharf, New Haven), The Autumn Garden and Dissonance (Williamstown Festival), The Real Thing (Huntington), In This Corner (Old Globe, San Diego), Dinner with Friends, Hedda Gabler, Indian Ink, The Ruling Class, Hamlet, Macbeth, Twelfth Night. Films include After the Wedding, The Geezer, Wanted, Joshua, Milia. He has been seen on Television in “The Black List” “The Deuce” “BlueBloods” “Madam Secretary” “Elementary” “Mysteries of Laura” “Forever” “Mozart in the Jungle” “Law & Order” (All versions). Rufus graduated from Columbia College with a B.A. in English Literature and studied acting at the Central School of Speech and Drama in London.
Program Notes
Schubert spent the majority of his brief but prodigious life writing and performing music within the intimate and convivial company of family and friends. Almost entirely without patrons, commissions nor aristocratic associations, he flourished within a small, cultured middle-class Viennese community where the majority of his music would remain, unknown to the larger world until after his death. Schubert wrote reams of music ideal for the setting: over six-hundred songs, numerous piano works for two and four hands, and a sizable canon of chamber music. In his final decade, Schubert produced a mature series of highly original chamber music that ranks among the greatest ever created including the Trout Quintet, the last four String Quartets, two Piano Trios and a breathtaking final work, the String Quintet in C major. Despite his rapidly declining health, his final year yielded the Piano Trios, the Quintet, three Piano Sonatas and a towering Symphony in C major. It would seem that Schubert's music just got better and better right until the end. Dying at the age of only thirty-one, Schubert may have departed with still "fairer hopes", but the music he left behind could easily occupy a much longer life in the service of appreciating it all.
The last Piano Trio in E-flat major, Op. 100, D.929, is a gigantic masterpiece that, with Beethoven's Archduke, could be considered among the few greatest piano trios in the traditional repertory. It is gigantic in length and breadth, wealthy in thematic ideas, constant transformations and ingenious details of construction. A typical performance runs to nearly forty-five minutes and this without taking the repeat in the first movement, and, after Schubert's edits in the finale, removing its repeat as well as some one hundred additional measures. "Heavenly lengths", as Schumann would write. Like much of Schubert's "late" music, it is grand and profound in a way that goes well beyond the relatively modest context in which he wrote. It was among the few pieces performed in the only public concert featuring Schubert's music held during his lifetime, the only work published outside Austria before his death. Schumann wrote, "a Trio by Schubert passed across the musical world like some angry comet in the sky". More intense than its worthy companion, the Piano Trio in B-flat major written around the same time, it flairs with passion, pathos, perhaps even anger, but it is equally saturated with joy, grace and triumphant beauty.
Credit: Kai Christiansen Music
We need your help
Your contributions are essential to our mission of reaching more people with the extraordinary experience of live chamber music.
Thank you for making it happen.
OneMusic Project acknowledges the generous support of the following individuals for their time, gifts, and financial support. With their help, we are able to realize our mission of bringing great artists from Europe and the USA together to perform in our community.
Please join our partnership today by giving to OneMusic Project today!
OneMusic Project is grateful for support from
James & Susan Aisenberg
Veronique Brossier
Chu Family Foundation
Dan Kainen & Karen Dorst
Robert & Nina Kaufelt
Loube-Li Family
Philippe Muller
Alexander Ommaya
Joseph Towbin
Wei Family
Individual Contributors
Dhiraj Duraiswami
Ellen Oppenheim
Betsy Mulberry
Eric Sandell
Jeff Vock
Liza Loube